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Music For Film Vol. I

by William Ryan Fritch

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  • Poster/Print + Digital Album

    • Art Postcard Edition on thick, matte stock with additional download code on card. Frame it, hang it on the wall, or send it to a friend (since an additional download of the album comes with each postcard).
    • Cover photo by Joe Borreson
    • Art Postcards are limited to 100 hand-numbered editions.

    Includes unlimited streaming of Music For Film Vol. I via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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about

"RICH'S PICKS: BEST FILM SCORES OF 2015 - Fritch’s music is a confident hug, a warm coat on a winter’s day, a soft cloth on a light wound." - A CLOSER LISTEN

"TOP 25 ALBUMS OF 2015 - Despite the work not having all been created for one specific film, dare I say the obvious, that it almost seems as this album was meant to be, as if it were created for one, effortlessly beautiful film…" - IRREGULAR CRATES

"Dazzling, evocative, and gorgeous. - Voted a top Memorable Journey in Modern Classical (Experimental/Ambient) for 2015" - STATIONARY TRAVELS
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Settled Scores and Lost Tribe Sound present this stunning collection of film works from the prolific composer and multi-instrumentalist William Ryan Fritch. For the first time, Fritch's most sought after film compositions are made available to the public. This volume will release to all subscribers of the 11 album Leave Me Sessions in late March and worldwide in April 2015.

Music for Film Volume I features select works of William Ryan Fritch’s own fiercely self-sufficient, acoustic, and rustic brand of modern classical music from soundtracks, commissions, and multi-media works composed in 2014. Whether it be the humid thicket of cellos for “Skunk” (from the Cannes award winning short film “Skunk”) or the piercing drama and sincerity of “Processional” ( a piece Fritch wrote for his own wedding), this collection seamlessly integrates sounds culled from widely varied visual worlds into an immersive and hypnotic narrative of it’s own. There is a good chance you have heard his work before in a film (smarturl.it/wrfclips), a television show, a commercial, or in a number of GoPro videos (smarturl.it/wrfgopro), but with Settled Scores’ ongoing series you can hear the best of Fritch’s film music presented as satisfying and cohesive stand alone records.

Settled Scores is a small boutique licensing company, founded by Fritch and visual artist/record label owner Ryan Keane (LTS), that specializes in artful, organic, and painstakingly crafted music. Drawing from a select group of gifted contemporary composers, sound artists, producers and recording artists (e.g. Matthew Collings, Field Rotation, Aaron Martin, and Benoit Pioulard), Settled Scores not only offers gorgeous libraries of pre-existing works, but also serves as an integrative hub for commissioning custom works from dozens of unique artists, each with their own distinctive compositional voice.

credits

released April 21, 2015

Composed, Performed, Mixed, and Mastered by William Ryan Fritch
Cover Photograph by Joe Borreson (dustclouddesign.com)
Published by Settled Scores ASCAP 2015
Copyright William Ryan Fritch/ Settled Scores, LLC/ Lost Tribe Sound

williamryanfritch.com
losttribesound.com

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William Ryan Fritch California

William Ryan Fritch is a composer, songwriter, multi-instrumentalist and producer currently based in Oakland, California. His compositions are characterized by his unique range as a multi-instrumentalist and audio engineer, allowing him to realize large ensemble arrangements found in folk, Indie-rock, electronica,
Hip-hop, World and orchestral music as a solo endeavor.
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